This dynamic new quantity is the primary main survey to chronicle the emergence and migration of Pop artwork from a world perspective, specializing in the interval from the 1950s by way of the early 1970s. Together with unique texts from a various roster of contributors, this catalogue offers essential new scholarship on the interval, analyzing manufacturing by artists throughout the globe who have been concurrently confronting radical cultural and political developments that might lay the muse for the emergence of an artwork kind embracing figuration, media methods and mechanical processes with a brand new spirit of urgency and/or exuberance. Worldwide Pop amplifies the scope and tenor of what we perceive to be “Pop,” exposing the great selection and complexity of this pivotal interval and subject material, and revealing how artists alternatively celebrated, cannibalized, rejected or assimilated among the presumed qualities of Pop superior within the US and Britain. Anchored by an expansive 48-page visible chronology, the guide options in-depth essays by a variety of students analyzing developments in Britain, Japan, Brazil, Argentina, Italy and Hungary in addition to Western Europe and the US. The quantity consists of some 320 illustrations, together with full-color plates of every work within the exhibition, which integrates many classics of Pop artwork with quite a few not often seen works.Among the many artists included are Evelyne Axel, Peter Blake, Raymundo Colares, Antonio Dias, Rosalyn Drexler, Erró, León Ferrari, Richard Hamilton, David Hockney, Jasper Johns, Tanaami Keiichi, Yves Klein, Jirí Kolár, Yayoi Kusama, Nelson Leirner, Anna Maria Maiolino, Antonio Manuel, Marisol, Marta Minujín, Claes Oldenburg, Wanda Pimentel, Michaelangelo Pistoletto, Sigmar Polke, Gerhard Richter, Mimmo Rotella, Ed Ruscha, Niki de Saint Phalle, Shinjiro Okamoto, Tadanori Yokoo, Wayne Thiebaud, Jean Tinguely, Shinohara Ushio and Andy Warhol.
International Pop (DISTRIBUTED ART)
$64.87
This dynamic new volume is the first major survey to chronicle the emergence and migration of Pop art from an international perspective, focusing on the period from the 1950s through the early 1970s. Including original texts from a diverse roster of contributors, this catalogue provides important new scholarship on the period, examining production by artists across the globe who were simultaneously confronting radical cultural and political developments that would lay the foundation for the emergence of an art form embracing figuration, media strategies and mechanical processes with a new spirit of urgency and/or exuberance. International Pop amplifies the scope and tenor of what we understand to be “Pop,” exposing the tremendous variety and complexity of this pivotal period and subject matter, and revealing how artists alternatively celebrated, cannibalized, rejected or assimilated some of the presumed qualities of Pop advanced in the US and Britain. Anchored by an expansive 48-page visual chronology, the book features in-depth essays by a range of scholars examining developments in Britain, Japan, Brazil, Argentina, Italy and Hungary as well as Western Europe and the US. The volume includes some 320 illustrations, including full-color plates of each work in the exhibition, which integrates many classics of Pop art with numerous rarely seen works.Among the artists included are Evelyne Axel, Peter Blake, Raymundo Colares, Antonio Dias, Rosalyn Drexler, Erró, León Ferrari, Richard Hamilton, David Hockney, Jasper Johns, Tanaami Keiichi, Yves Klein, Jirí Kolár, Yayoi Kusama, Nelson Leirner, Anna Maria Maiolino, Antonio Manuel, Marisol, Marta Minujín, Claes Oldenburg, Wanda Pimentel, Michaelangelo Pistoletto, Sigmar Polke, Gerhard Richter, Mimmo Rotella, Ed Ruscha, Niki de Saint Phalle, Shinjiro Okamoto, Tadanori Yokoo, Wayne Thiebaud, Jean Tinguely, Shinohara Ushio and Andy Warhol.
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